LAST SHOW OF THE SEMESTER,
GUYS/GALS.
AND THIS ONE IS FOR YOU!
[THURSDAY NOVEMBER 20]
AU (PORTLAND, OR)
MIRROR MIRROR (BROOKLYN)
DINOWALRUS (BROOKLYN)
10PM
THIS IS LATE SO GET THERE ON TIME!!!!!
THE MUG
FREEE
A cut up version of the Facebook event description:
Collective, but definitely fragile and fascinating melodies. no, really. little moments of discord experimental, evocative spiritual, and nostalgic, have more attitude and are listen to. fiery, and expansive on a very you kids would really with subdued spirit more ethereal. lotsa other places, too) air like spirits filled au: portland, or (and dig. but with these great me, sounds like something sandwiched between soft this band is incredible to limited scale, au's often compared to animal american avant folk improv sounds sail through the at it's finest. which, to pre-postmodern primitive Chief songwriters david brooklyn-based mirror kaufman, and a rotating cast incorporate theater, visual art, video, design, and even blend of music and songs, cult lullabies, society, as well as aspiring into the multiple sing-alongs, sinister rock 2003 and quickly recruited robotic choral pieces, and food. polymorphous membership. of friends, performers and guest musicians. their percussionist matt hustlers, partygoers, and album (on cochon records) is complex, blending folky personalities and points of followers, runaways, views of the (fictional?) mirror mirror has earned a bagdanoff, guitarist jill music producers. the riley and ryan lucero met in mirror's first full length meditative interludes. a schizophrenic exploration reputation for its curious compositions are lush and unpredictable live shows performance, as well as its Gang dance. some call it rawk of the 70s, the creation sounds like. of dinowalrus are rooted robotic electro-grooves 90s, and the guitar-scapes of the noise-tribalism of post-psychedelic biker liars, ooioo, and gang of the 80s, the lush psychnoise, but to my recent groups such as stylistically, the songs mind, this is just what in the garage-punk of the 60s, the
GUYS/GALS.
AND THIS ONE IS FOR YOU!
[THURSDAY NOVEMBER 20]
AU (PORTLAND, OR)
MIRROR MIRROR (BROOKLYN)
DINOWALRUS (BROOKLYN)
10PM
THIS IS LATE SO GET THERE ON TIME!!!!!
THE MUG
FREEE
A cut up version of the Facebook event description:
Collective, but definitely fragile and fascinating melodies. no, really. little moments of discord experimental, evocative spiritual, and nostalgic, have more attitude and are listen to. fiery, and expansive on a very you kids would really with subdued spirit more ethereal. lotsa other places, too) air like spirits filled au: portland, or (and dig. but with these great me, sounds like something sandwiched between soft this band is incredible to limited scale, au's often compared to animal american avant folk improv sounds sail through the at it's finest. which, to pre-postmodern primitive Chief songwriters david brooklyn-based mirror kaufman, and a rotating cast incorporate theater, visual art, video, design, and even blend of music and songs, cult lullabies, society, as well as aspiring into the multiple sing-alongs, sinister rock 2003 and quickly recruited robotic choral pieces, and food. polymorphous membership. of friends, performers and guest musicians. their percussionist matt hustlers, partygoers, and album (on cochon records) is complex, blending folky personalities and points of followers, runaways, views of the (fictional?) mirror mirror has earned a bagdanoff, guitarist jill music producers. the riley and ryan lucero met in mirror's first full length meditative interludes. a schizophrenic exploration reputation for its curious compositions are lush and unpredictable live shows performance, as well as its Gang dance. some call it rawk of the 70s, the creation sounds like. of dinowalrus are rooted robotic electro-grooves 90s, and the guitar-scapes of the noise-tribalism of post-psychedelic biker liars, ooioo, and gang of the 80s, the lush psychnoise, but to my recent groups such as stylistically, the songs mind, this is just what in the garage-punk of the 60s, the
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